October 21, 2021
2:00–3:30 pm MST
Panel
Research-Creation & Crisis
Live Captioning and ASL interpretation
Register at
Eventbrite
This panel will explore the role of research-creation as a methodological and dissemination tool in times of pressing global crises. Panelists Christina Battle, Jennifer Wilet and Jeff Thomas will share a variety of perspectives and creative methodologies that include examining the intersection of art and science in relation to ecological change, the place of disability studies within periods of crisis, exploring social art practice as a positive tool for change, and the role of storytelling as a way to sustain communities through traumatic events.
Moderator:
Sean Caulfield – Centennial Professor, Printmaking, University of Alberta
Presenters:
Christina Battle - Multimedia Artist, Curator, Educator
Jennifer Wilet - Canada Research Chair, Art, Science and Ecology, University of Windsor
Jeff Thomas - Photographer and Curator
Chelsey Campbell - Artist and Graduate Researcher, University of Alberta
Christina Battle (Edmonton, Canada) has a B.Sc. with specialization in Environmental Biology from the University of Alberta, a certificate in Film Studies from Ryerson University, an MFA from the San Francisco Art Institute, and a PhD in Art & Visual Culture from the University of Western Ontario. Her research and artistic work consider the parameters of disaster; looking to it as action, as more than mere event and instead as a framework operating within larger systems of power. Through this research she imagines how disaster could be utilized as a tactic for social change and as a tool for reimagining how dominant systems might radically shift.
Chelsey Campbell (they/she) is a disabled white settler artist and graduate researcher at the University of Alberta in amiskwacîwâskahikan (Edmonton) on the territory of the Papaschase nation and Métis homeland. Working through the lens of critical disability theory, care ethics, and authoethnography Campbell's research practice explores the tenuous nature of their queer-crip body in social and medical frameworks fixated on diagnosis and cure. Through a combination of printmaking, 3D modelling, installation, and photography, their work seeks to make space for the body in pain, celebrate disabled narratives as complex and whole, and extend radical care for community through artistic practice.
Jeff Thomas is an independent curator and photographer who deals, in examination of his own history and identity, with issues of aboriginality that have arisen at the intersections of Native and non-Native cultures in what is now Ontario and northern New York state. Nationally recognized for ground-breaking scholarship and innovative curatorial practice in this area, he has been involved in major projects at such prominent cultural institutions in Canada as the Canadian Museum of Civilization, the Woodlands Cultural Centre, the Art Gallery of Ontario, and Library and Archives Canada.
Dr. Jennifer Willet is the Director of INCUBATOR Lab and a Canada Research Chair in Art, Science and Ecology at the University of Windsor. She is also a member of the College of New Scholars, Artists, and Scientists of the Royal Society of Canada. Willet is an internationally recognized artist and curator in the emerging field of BioArt. Her research resides at the intersection of art and science, and explores notions of representation, the body, ecologies, and interspecies interrelations in the biotechnological field.
Sean Caulfield was named a Canada Research Chair in Fine Arts (Tier 2) from 2000 – 2010, and is a Centennial Professor in the Department of Art and Design at the University of Alberta, living and working in Treaty Six territory. He has exhibited his prints, drawings, installations and artist’s books extensively throughout Canada, the United States, Europe, and Japan. Recent exhibitions include: Dyscorpia, Enterprise Square Gallery, University of Alberta; The Flood, Art Gallery of Alberta, Edmonton; Firedamp, dc3 Art Projects, Edmonton; The Body in Question(s), UQAM Gallery, Montreal; Perceptions of Promise, Chelsea Art Museum, New York, USA/Glenbow Museum, Calgary, Alberta.